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Kanako Imayoshi

Kanako Imayoshi

Oita, Japan
Joined Ballet Arizona: 2001
Training: Reiko Matsuoka Ballet Institute, Beijing Ballet School, Joffrey Ballet School
Other Companies: Idaho Ballet, Ballet Hawaii, Reiko Matsuoka Ballet
 

Kanako began her training in Fukuoka, Japan, and later joined the Reiko Matsuoka Ballet Institute, with which she toured Russia, China and Japan. She was awarded a scholarship to train in Paris, and further studies took her to the Beijing Ballet School, Joffrey Ballet School, City Ballet School in California, and to Petaluma, California with Maria Vegh. Kanako has performed professionally with Peninsula Ballet Theatre, Idaho Ballet, Alaska’s North Star Ballet, Ballet Hawaii, Tau Dance Theatre, and Reiko Matsuoka Ballet. Since joining Ballet Arizona in 2001 Kanako has originated featured roles in Ib Andersen’s Indigo Rhapsody, Elevations, Mosaik, Preludes and Fugues, Play, and A Midsummer’s Night Dream (Hippolyta). Principal roles have included Myrtha in Giselle; Ib Andersen’s The Nutcracker (Sugar Plum Fairy) and Don Quixote (Mercedes, Street Dancer, Queen of the Dryads); and Apollo (Polyhymnia), La Sonnambula (Coquette), Divertimento No. 15, Serenade (Dark Angel), Allegro Brillante, and “Rubies” from Jewels, all by George Balanchine, and Bournonville’s Konservatoriet. Kanako has performed soloist roles in Swan Lake, Coppélia, Les Sylphides, and Ib Andersen’s Romeo and Juliet (Lady Montague), and in Balanchine’s Theme and Variations, and La Valse. She frequently travels to Japan as a guest artist and dance coach.