Ballet AZ Blog

Behind-The-Scenes of Eroica with Ib Andersen

 

Jillian Barrell, Nayon Iovino, and Artistic Director, Ib Andersen, in rehearsal for "Eroica." Photo by Tzu-Chia Huang.
Jillian Barrell, Nayon Iovino, and Artistic Director, Ib Andersen, in rehearsal for “Eroica.” Photo by Tzu-Chia Huang.

Tell us everything we want to know about your world premiere – Eroica.

What can I tell you about it? Hmmm… many things. It is literally about the music – Beethoven’s Third Symphony is so complex. It’s easy to listen to and be moved by, but to understand the structure is not easy. I am not sure I even really understand it! But I like that element of it. When it was written, it was revolutionary. Over 52 minutes long – the emotional content and level of complexity just hadn’t been done before.

Eroica’s choreography is about the past, present, and hopefully about the future. To a degree it is about our current political climate. The 1st and 2nd movements have the most meat and complexity including a funeral march. Then the 3rd and 4th movements are much more uplifting. They are a confirmation or belief that in human nature, good will survive over bad. This is not a story ballet, it’s an emotional ballet. I want to connect on an emotional level. I want you to be moved and not even understand why you are feeling that way.

I am super excited about this one. I honestly don’t understand how I did this. For me, I created this very quickly – it just sort of poured out of me. And I trusted what I did. I think it’s because I’m so damn old. I go with my instinct now more than ever. I don’t second guess my intuition as much. Now you just have to come and see!

Erick Garnica, Rochelle Anvik, Alejandro Mendez, and Arianni Martin in rehearsal for "Eroica." Photo by Tzu-Chia Huang.
Erick Garnica, Rochelle Anvik, Alejandro Mendez, and Arianni Martin in rehearsal for “Eroica.” Photo by Tzu-Chia Huang.

Some of you ballet masters/mistresses have said you choreograph as if you are painting a canvas – is there truth to that?

I have been painting for years, so I guess there is some truth to that. I see choreography as a stage (canvas) and you put people (or colors) on the stage and create a design. I am even more passionate about painting, sculpture and architecture than I am about ballet. Ballet is something I have done since I was 7, but I am not dying to see what other companies perform or seeking out new ballets. However, I am dying to see new exhibits. I will travel far and wide to see an exhibit, but I rarely travel to see a new ballet.

Ballet Arizona dancers in rehearsal for "Eroica." Photo by Tzu-Chia Huang.
Ballet Arizona dancers in rehearsal for “Eroica.” Photo by Tzu-Chia Huang.

Click here to purchase tickets to Ib Andersen’s new ballet Eroica starting May 15th – June 2nd at Desert Botanical Garden.

 

Share it:

Recent Articles

Celebrating Jacque d’Amboise

Celebrating Jacque d’Amboise

For the month of July, and in celebration of Jacque d’Amboise birthday on July 28th, we will look into the…

Legacy & Impact: Celebrating Ib Andersen

Legacy & Impact: Celebrating Ib Andersen

During Ib’s tenure as artistic director, he created over 36 ballets, brought a multitude of renowned classics and cutting-edge new…

Behind-the-Scenes of All Balanchine with Ib Andersen

Behind-the-Scenes of All Balanchine with Ib Andersen

Tell us about All Balanchine!  The repertoire this year is spectacular… but it is Balanchine, so it is always extraordinary.…

Make an Impact

Donors are the heart of our organization. Each instance of support, from donations to volunteering, supports a company of dedicated dancers, dance education and community initiatives all year long. Ready to make a donation?

Join Ballet Arizona for Nutcracker in July!
close-image